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Goodwin, H. (2022). 鈥淔lickering Lights and Mischievous Stars: Uncanny Entanglements in My Twentieth Century." Uncanny Histories. Ed. Patrice Petro. Rutgers University Press.
Goodwin, H. (2022). 鈥淭heorizing Cosmological Archives through Nostalgia for the Light." El cine documental de Patricio Guzm谩n. Ed. Jaime C茅spedes. Peter Lang Press.
Goodwin, H. (2021). 鈥淎tomic Tests: Experimental Filmmaking in the Nuclear Era.鈥 Journal of Film and Video 71 (2).
Gudmundson, L. (2020). "De la historia agraria cl谩sica a la nueva: Costa Rica y Estados Unidos," Revista Ayer (Spain), 120 (2002:4), 53-82.
Gundermann, Christian. 2023. 鈥淚berians are Different. On Breed, Power, and Queer Subversion鈥 Humanimalia 13:2
Haber-Thomson, L. (2025). Eighth Amendment and 鈥榗ruel and unusual鈥 punishment. In S. Stern and R. Spoo (Eds.), Elgar Concise Encyclopedia of Law and Literature (pp. 163-168)
Lynch, D. E., Reeves, C. R., Errabelli, D. R., & Hamilton, D. G. (2021). Structure of a potassium salt of Lasalocid A and an investigation of solid鈥搒tate conformational variance of the Lasalocid A backbone in known complexes. Journal of Molecular Structure, 1229. doi: 10.1016/j.molstruc.2020129768
Harold, J. (2023). Audiences鈥 Role in Generating Moral Understanding: Screen Stories as Sites for Interpretive Communities. In C. Plantinga (Ed.), Screen Stories and Moral Understanding: Interdisciplinary Perspectives (pp. 197-211). Oxford University Press.
Harold, J. (2020). Dangerous Art. New York, NY: Oxford Univ. Press US.